writing subject/sutured subject

A

Aboriginals Autofiction

C

Canadian Prairies Colonialism Colonize Community

D

Decolonization Diglossia Disappear/Disappeared Discrimination Disenchanted Duty to remember Dysphoria

E

El Chacotero Emancipation Exiled person

F

Fe-male Feminism fiction/théorie

G

Gender Gender euphoria Ghettoization Globalization

H

Hedonism

I

Indian Initiation story (Bildungsroman) Intertextuality

M

Masculinist Maternity Migrant

N

Native New Narrative

O

Overtourism

P

Patriarchy Pinochet's dictatorship in Chile Poetic prose Prejudice Pullman Porters Punk

Q

Queer

R

Racial gaslighting Racism Refugee Reserve Residential schools Revolutionary

S

Second emigration Segregation Self-writing Social class Sohrab and Rustom Stateless Stereotype Systemic racism

T

Territory Theory Toxic masculinity Traditions Transgender identity translation Transphobia Treaty

U

Une "chambre à soi"

V

Victoria Day

W

Wendake — Wendat Whites writing subject/sutured subject

Y

Yändata’ Yoruba

Literature-specific definitions

Permanent Revolution by Gail Scott

Scott’s conceptual label for the voice that speaks in and out of experimental narratives. More than just the author, a narrator, or a character or persona, it is a blurring and blending of these traditional narrative roles that requires the reader to fill in gaps and participate in its creation. It is an attempt to represent in prose the unstable and hybrid nature of identity, and it includes the implicit historical, social, geographical, and other contextual elements that help shape said identity. ¹ 1 Permanent Revolution. p. 41. The sutured subject is, therefore, not singular but made up of layers of different voices, textures, times, and places spliced together, hence the word sutured. ² 2 Permanent Revolution. p. 62.

See book

1 Permanent Revolution. p. 41.
2 Permanent Revolution. p. 62.