Dandelion Daughter

“tell me instead that trans people will experience love and that we will no longer have to fight for our rights and our dignity 

tell me instead that we won’t get raped, that we won’t die and be left in a ravine, found two weeks later, and misgendered even at our funeral by our parents who never really understood 

tell me instead that it’s possible to see you love past the binary 

tell us instead that the trans women who fought back did not die in vain 

talk to us about love 

talk to us about respect 

but especially, if you don’t understand, then talk to us” (p. 11–12) 

Gabrielle Boulianne-Tremblay is a Québécoise novelist, poet, activist, model, and actor born in 1990 in Saint-Siméon, Québec. She has published two poetry collections, Le ventre des volcans ¹ 1 Boulianne-Tremblay, Gabrielle. Le ventre des volcans. Les Éditions de l’étoile de mer, 2015, 114 pp. and Les secrets de l’origami, ² 2 Boulianne-Tremblay, Gabrielle. Les secrets de l’origami. Del Busso, 2018, 72 pp. as well as a children’s novel, La voix de la nature. ³ 3 Boulianne-Tremblay, Gabrielle. La voix de la nature. Les Éditions Héritage/Dominique et Compagnie, 2022, 114 pp. Dandelion Daughter, her first novel, was originally published in French as La fille d’elle-même ⁴ 4 Boulianne-Tremblay, Gabrielle. La fille d’elle-même. Éditions Marchand de feuilles, 2021, 344 pp. and won the Prix des libraires du Québec in 2022. On the screen, Boulianne-Tremblay is best known for the role of Klas Batalo in the film Ceux qui font les revolutions à moitié n’ont fait que se creuser un tombeau ⁵ 5 Ceux qui font la revolution à moitié n’ont fait que se creuser un tombeau. Directed by Mathieu Denis and Simon Lavoie. art et essai, 2016, 183 minutes. for which she was nominated for Best Performance by an Actress in a Supporting Role at the Canadian Screen Awards.  

Dandelion Daughter is a coming-of-age-style autofiction novel that follows the protagonist as she tries to define herself in a world that refuses to see her as she is. A transition narrative, the text illustrates the ways that Gabrielle’s ⁶ 6 To distinguish the author from her fictional counterpart, Gabrielle refers to the protagonist of the novel, and Boulianne-Tremblay refers to the author. gender expression evolves over the course of her young life. Lacking the language or the support to understand who she is, the narrator describes the pain and the alienation that she experienced, not only in her dysfunctional household, where she was subjected to gender-normative stereotypes, but also at school and at summer camp, where she is bullied by her peers. Gabrielle leaves her small town for Québec City, where she begins to immerse herself in the queer community and experiment with her gender expression. In the last third of the novel, we follow Gabrielle as she begins her transition and moves to Montréal to live openly as a trans woman.  

This novel is the first French-language autobiographical novel written by a trans woman in Québec. Dandelion Daughter fits into a lineage of first-person narratives exploring transness, contributing Boulianne-Tremblay’s lived experience of both rural and urban Québec. This lineage can be traced to Danish artist Lili Elbe’s posthumously published memoir Man into Woman, ⁷ 7 Elbe, Lili. Man into Woman: A Comparative Scholarly Edition, edited by Pamela L. Caughie and Sabine Meyer, Bloomsbury Academic, 2020, 322 pp. “the first autobiographical account of a transsexual life,” ⁸ 8 Jacques, Juliet. “Forms of Resistance: Uses of Memoir, Theory, and Fiction in Trans Life Writing.” Life Writing, vol. 14, no. 3, 2017, p. 358. and includes autobiographical works of both fiction and non-fiction such as Jan Morris’ Conundrum, ⁹ 9 Morris, Jan. Conundrum. NYRB Classics, 2006, 192 pp. Kate Bornstein’s Gender Outlaw, ¹⁰ 10 Bornstein, Kate. Gender Outlaw: On Men, Women, and the Rest of Us. Vintage, 2016, 320 pp. Leslie Feinberg’s Stone Butch Blues, ¹¹ 11 Feinberg, Leslie. Stone Butch Blues. Firebrand Books, 1993, 301 pp.  and Paul B. Preciado’s Testo Junkie. ¹² 12 Preciado, Paul B. Testo Junkie: Sex, Drugs, and Biopolitics in The Pharmacopornographic Era. Feminist Press, 2013, 432 pp.   As Jay Prosser points out, these works position the authors as “constructing subjects: participants and actors who have shaped medical practices as much as they have been shaped by them.” ¹³ 13 Prosser, Jay. Second Skins: The Body Narratives of Transsexuality. Columbia University Press, 1998, p. 8.

By writing an autofiction novel, Boulianne-Tremblay breaks away from the standard of transition memoirs that create, according to Juliet Jacques, “an impression of people being focused more on themselves than any wider community.” ¹⁴ 14 Jacques, Juliet. “Forms of Resistance: Uses of Memoir, Theory, and Fiction in Trans Life Writing.” Life Writing, vol. 14, no. 3, 2017, p. 360.  While Dandelion Daughter draws on the author’s lived experience as a trans woman, Boulianne-Tremblay has confirmed that aspects of the novel were fabricated. In this way, the novel also acts as a place of remembrance: It is dedicated to “all [her] disappeared trans sisters and brothers” but also to “little Gabrielle, who didn’t think she would live past sixteen” (p. 5). Gabrielle stands as a witness not only to Boulianne-Tremblay’s life but also to the experiences of other trans people. In a context where “a growing reactionary movement in Canada [is] threatening the safety, freedoms, and rights of 2SLGBTQI people, especially those who are Two-Spirit, trans, nonbinary, and/or gender non-conforming (2STNBGN),” ¹⁵ 15 Kennedy, Helen. “Open Letter: All Levels of Government in Canada Have a Responsibility …” Egale, 28 Mar. 2023, egale.ca/egale-in-action/open-letter-combat-hate/. her story allows the author to reclaim her identity and her happiness, and to demonstrate how she thrives despite the rising waves of hatred. 

Dandelion Daughter is a work of poetic prose that employs nature imagery, especially plants and gemstones, to articulate the narrator’s thoughts and feelings. The title of the novel encapsulates this usage: as Nour Abi-Nakhoul points out, “[i]n pediatric psychology, a ‘dandelion child’ is a person who has resilience embedded deeply within them, biologically encoded into their DNA. Like the omnipresent yellow-petalled weed, they will thrive regardless of the environment they’re brought up in — even in situations that would destroy others’ spirits.” ¹⁶ 16 Abi-Nakhoul, Nour. “Memoir of Multiplicity: A Review of Dandelion Daughter by Gabrielle Boulianne-Tremblay.” Montreal Review of Books, 16 March 2023, https://mtlreviewofbooks.ca/reviews/dandelion-daughter-boulianne-tremblay/.  

Much like the dandelion, Gabrielle continues to flourish despite the adverse conditions that surround her. Dandelions also act as a metaphor for the trans experience, in that one is reborn when one transitions: “I think about François who told me that dandelions have two lives. It’s beautiful to watch them start their second lives. They seem better like this: light, carefree, liberated from gravity” (p. 96). Dandelion Daughter uses this floral language to normalize Gabrielle’s identity and articulate her experience as a trans woman. Despite the lack of references or role models to shape herself after—as aforementioned, Dandelion Daughter is the first novel of its kind to be published in French in Québec—Gabrielle finds the words to describe herself by observing nature. In this way, she locates beauty not only in nature but also in her journey of self-realization.  

The novel’s nature imagery is further evidenced by the presence of rose quartz, which Gabrielle first discovers while staying with her cousin. She immediately feels a connection with the gemstone, which emanates femininity and grace (p. 109). Later in the novel, Gabrielle’s grandmother presents her with a rose quartz pendant (p. 134). Rose quartz symbolises Gabrielle’s femininity; it also allows Gabrielle to strengthen her tie to her maternal grandmother. Overall, the novel draws on natural resources often associated with regionality to validate Gabrielle’s trans identity.  

Thom, Kai Cheng. Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir. Metonymy Press, 2016, 200 pp.  

Adapting elements of fantasy and surrealism, Fierce Femmes and Notorious Liars is an autofiction memoir that follows a trans woman protagonist who lives on the “Street of Miracles” alongside other trans women and sex workers. A French translation of the book, Fèms magnifiques et dangereuses, was published by Éditions XYZ in 2021.  

Snorton, C. Riley. Black on Both Sides: A Racial History of Trans Identity. University of Minnesota Press, 2017, 272 pp.  

Black on Both Sides analyzes how the categories of race and gender came to be invented. The book intertwines the histories of blackness and transness to demonstrate how slavery and the production of racialized gender provided the foundation for an understanding of gender as mutable.  

Preciado, Paul B. Can the Monster Speak?: A Report to an Academy of Psychoanalysts, translated by Frank Wynne, Fitzcarraldo Editions, 2021, 88 pp. 

An English translation of Je suis un monstre qui vous parle (Éditions Grasset, 2020). In November 2019, Paul B. Preciado was invited to speak at the École de la Cause Freudienne’s annual conference in Paris. Criticizing psychoanalysis for its complicity with the ideology of sexual difference, Preciado calls for a transformation of psychoanalytic discourses and practices to allow for a variety of lived experiences.  

Disclosure: Trans Lives on Screen. Directed by Sam Feder, 2020, 100 minutes. Netflix.  

In this documentary, Sam Feder explores the question of trans representation in television and cinema, demonstrating the interconnectedness between trans representation, societal beliefs, and the reality of trans lives.  

Malatino, Hil. Trans Care. University of Minnesota Press, 2020, 90 pp.  

This book is a reflection on—and radical rethinking of—the ethics and labour of care as they apply to trans lives.  

Boulianne-Tremblay, Gabrielle, and Eden Boudreau. “Women Asking Women: Eden Boudreau and Gabrielle Boulianne-Tremblay.” All Lit Up, 24 March 2023, https://alllitup.ca/women-asking-women-eden-boudreau-and-gabrielle-boulianne-tremblay/. 

An interview between Gabrielle Boulianne-Tremblay and Eden Boudreau. The two authors discuss topics like writing sexual assault, healing through writing, and the reception of their texts among queer readers.  

L’Espace de la diversité recognizes the generous support of the Canada Council, the Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal, and the Fondation Lucie et André Chagnon.   

• Coordination: Emma Telaro 
• Research and Writing: James Dickson 
• Editing: Danielle Carter

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